Surviving (2019) ceramic and gold 170x90cm
Surviving (2019) ceramic and gold 170x90cm
Surviving (2019) (detail) ceramic and gold 170x90cm
Surviving (2019) (detail) ceramic and gold 170x90cm
Crown (2019)
Crown (2019)

Mixed media, 160x160cm

Commissioned by Art+Christianity for Waltham Forest London Borough of Culture and made in workshops with the community of All Saints Leyton

Sweet Strength
Sweet Strength

Bagasse and resin

Sweet Strength
Sweet Strength

Bagasse and resin 2019

Sweet Strength (detail)
Sweet Strength (detail)

Bagasse and resin

Empire England
Empire England

(2018) sugar, ink and vintage ceramic

Love thy neighbour... (2017/10)
Love thy neighbour... (2017/10)

Sand 

Cargo (2017/07)
Cargo (2017/07)

Sugar and timber

Big Sugar (2016)
Big Sugar (2016)

Cast sugar
Nicknamed the ‘Goldilocks bird’ because its habitat conditions have to be just right in order for it to survive, the Cape Sable Seaside Sparrow is a rare, reclusive and endangered subspecies of seaside sparrow endemic to southern Florida. A combination of global warming and the industrial-scale production of sugar in the US has devastated the birds’ natural habitat. The sparrow’s now protected status is jeopardising an $8 billion flood-prevention project in the Everglades – a huge engineering feat required to correct decades of human folly and environmental mismanagement. Big Sugar is my response to this.

Suiker Piet (2016)
Suiker Piet (2016)

Porcelain and ceramic decals

Blanket
Blanket

Blanket, 2017
Foil survival blanket

Plundered (2018)
Plundered (2018)

Mixed media and c-type print, 80x30 cm

Powerplay (2009)
Powerplay (2009)

Ceramic and acrylic lacquer

Relic (2008)
Relic (2008)

Clay

Broken
Broken

Ceramic (2018)

me too? (black)
me too? (black)

2018, ceramic and acrylic lacquer

me too? (pink)
me too? (pink)

2018, ceramic and acrylic lacquer

Comfort in pain (2006)
Comfort in pain (2006)

Ceramic

Famine Queen (2018)
Famine Queen (2018)

Ceramic and plaster

Untethered (2018)
Untethered (2018)

Bioresin

Pillar of Pillage (2018)
Pillar of Pillage (2018)

Ceramic and plaster

Untethered (detail)
Untethered (detail)

Bioresin

Whiteness (2018)
Whiteness (2018)

Ink on bagasse (sugar cane fibre), fabric, pins, 14x14cm

Whiteness: a fragile specimen; prone to tears and defensiveness if made to feel uncomfortable; likely to aggressively protect its position. Commonly found: areas of former colonial power.

President Snowflake (2018)
President Snowflake (2018)

Ink on cotton, fabric, pins, 14x14cm

Snowflake: a person known to be opposed to the abolition of slavery, valuing white people over black people.
Commonly found: Missouri, 1860s 

Victorias (2018)
Victorias (2018)

Rubber, silk, gold and indigo on antique map

 Woodblock print, indigo on bagasse, 2017

Woodblock print, indigo on bagasse, 2017

Canal (from Latin Canna meaning cane), 2017, cacao and coffee on cotton
Canal (from Latin Canna meaning cane), 2017, cacao and coffee on cotton
Blanket (2017) digital video still, mylar survival blanket and River Lea
Blanket (2017) digital video still, mylar survival blanket and River Lea
Cotton wool (2017)
Cotton wool (2017)

Screenprint on board

King Sugar... 2016 (cast sugar, 22x10x2cm)
King Sugar... 2016 (cast sugar, 22x10x2cm)
King Sugar, 2016 (cast sugar, 22x10x2cm))
King Sugar, 2016 (cast sugar, 22x10x2cm))
King Sugar... 2016 (cast sugar, 22x10x2cm)
King Sugar... 2016 (cast sugar, 22x10x2cm)
Milligan Must Fall 2016 (cast sugar, 22x10x2cm)
Milligan Must Fall 2016 (cast sugar, 22x10x2cm)
alltheErics (2016)
alltheErics (2016)

Sugar cubes and ink

Milligan Must Fall 2016 (cast sugar, 22x10x2cm)
Milligan Must Fall 2016 (cast sugar, 22x10x2cm)
Folly (2015)
Folly (2015)

Leaves and acrylic lacquer

The City sets sail 2016
The City sets sail 2016

Paper, tape and digital images supplied by the public
240x320 cm installed at All Hallows by the Tower, Byward St, London

Cell (2015)
Cell (2015)

PVC and nylon

Shed (2015)
Shed (2015)

Timber, lightbulb, sound recording

Raft (2015)
Raft (2015)

Ceramic, timber, paint

#Don't Let Them Drown (2015)
#Don't Let Them Drown (2015)

Canvas and paint

Heath ritual (2014)
Heath ritual (2014)

Feathers, logs

Always greener (2014)
Always greener (2014)

Soil and grass

Creekside (2012)
Creekside (2012)

Gold leaf

Hard aber herzlich (2013)
Hard aber herzlich (2013)

Timber, tape and twine

eighteen... (2012)
eighteen... (2012)

Burnt timber

Heygate Pond (2012)
Heygate Pond (2012)

Glass, fish, leaves, water, kitchen sink

Your Move (Heygate) (2012)
Your Move (Heygate) (2012)

Chairs and paint

Armour (2010)
Armour (2010)

Mixed media

Life sentence? (2011)
Life sentence? (2011)

Barbed wire

Liminal (2009)
Liminal (2009)

PVC

Id (2009)
Id (2009)

Maps and thread

Sacrifice (2008)
Sacrifice (2008)

Bread dough and pins

Dereliction (2007)
Dereliction (2007)

Sugar

Sacrifice (detail) (2008)
Sacrifice (detail) (2008)

Bread dough and pins

Shelled (2007)
Shelled (2007)

Latex

Surviving (2019) ceramic and gold 170x90cm
Surviving (2019) (detail) ceramic and gold 170x90cm
Crown (2019)
Sweet Strength
Sweet Strength
Sweet Strength (detail)
Empire England
Love thy neighbour... (2017/10)
Cargo (2017/07)
Big Sugar (2016)
Suiker Piet (2016)
Blanket
Plundered (2018)
Powerplay (2009)
Relic (2008)
Broken
me too? (black)
me too? (pink)
Comfort in pain (2006)
Famine Queen (2018)
Untethered (2018)
Pillar of Pillage (2018)
Untethered (detail)
Whiteness (2018)
President Snowflake (2018)
Victorias (2018)
 Woodblock print, indigo on bagasse, 2017
Canal (from Latin Canna meaning cane), 2017, cacao and coffee on cotton
Blanket (2017) digital video still, mylar survival blanket and River Lea
Cotton wool (2017)
King Sugar... 2016 (cast sugar, 22x10x2cm)
King Sugar, 2016 (cast sugar, 22x10x2cm))
King Sugar... 2016 (cast sugar, 22x10x2cm)
Milligan Must Fall 2016 (cast sugar, 22x10x2cm)
alltheErics (2016)
Milligan Must Fall 2016 (cast sugar, 22x10x2cm)
Folly (2015)
The City sets sail 2016
Cell (2015)
Shed (2015)
Raft (2015)
#Don't Let Them Drown (2015)
Heath ritual (2014)
Always greener (2014)
Creekside (2012)
Hard aber herzlich (2013)
eighteen... (2012)
Heygate Pond (2012)
Your Move (Heygate) (2012)
Armour (2010)
Life sentence? (2011)
Liminal (2009)
Id (2009)
Sacrifice (2008)
Dereliction (2007)
Sacrifice (detail) (2008)
Shelled (2007)
Surviving (2019) ceramic and gold 170x90cm
Surviving (2019) (detail) ceramic and gold 170x90cm
Crown (2019)

Mixed media, 160x160cm

Commissioned by Art+Christianity for Waltham Forest London Borough of Culture and made in workshops with the community of All Saints Leyton

Sweet Strength

Bagasse and resin

Sweet Strength

Bagasse and resin 2019

Sweet Strength (detail)

Bagasse and resin

Empire England

(2018) sugar, ink and vintage ceramic

Love thy neighbour... (2017/10)

Sand 

Cargo (2017/07)

Sugar and timber

Big Sugar (2016)

Cast sugar
Nicknamed the ‘Goldilocks bird’ because its habitat conditions have to be just right in order for it to survive, the Cape Sable Seaside Sparrow is a rare, reclusive and endangered subspecies of seaside sparrow endemic to southern Florida. A combination of global warming and the industrial-scale production of sugar in the US has devastated the birds’ natural habitat. The sparrow’s now protected status is jeopardising an $8 billion flood-prevention project in the Everglades – a huge engineering feat required to correct decades of human folly and environmental mismanagement. Big Sugar is my response to this.

Suiker Piet (2016)

Porcelain and ceramic decals

Blanket

Blanket, 2017
Foil survival blanket

Plundered (2018)

Mixed media and c-type print, 80x30 cm

Powerplay (2009)

Ceramic and acrylic lacquer

Relic (2008)

Clay

Broken

Ceramic (2018)

me too? (black)

2018, ceramic and acrylic lacquer

me too? (pink)

2018, ceramic and acrylic lacquer

Comfort in pain (2006)

Ceramic

Famine Queen (2018)

Ceramic and plaster

Untethered (2018)

Bioresin

Pillar of Pillage (2018)

Ceramic and plaster

Untethered (detail)

Bioresin

Whiteness (2018)

Ink on bagasse (sugar cane fibre), fabric, pins, 14x14cm

Whiteness: a fragile specimen; prone to tears and defensiveness if made to feel uncomfortable; likely to aggressively protect its position. Commonly found: areas of former colonial power.

President Snowflake (2018)

Ink on cotton, fabric, pins, 14x14cm

Snowflake: a person known to be opposed to the abolition of slavery, valuing white people over black people.
Commonly found: Missouri, 1860s 

Victorias (2018)

Rubber, silk, gold and indigo on antique map

Woodblock print, indigo on bagasse, 2017

Canal (from Latin Canna meaning cane), 2017, cacao and coffee on cotton
Blanket (2017) digital video still, mylar survival blanket and River Lea
Cotton wool (2017)

Screenprint on board

King Sugar... 2016 (cast sugar, 22x10x2cm)
King Sugar, 2016 (cast sugar, 22x10x2cm))
King Sugar... 2016 (cast sugar, 22x10x2cm)
Milligan Must Fall 2016 (cast sugar, 22x10x2cm)
alltheErics (2016)

Sugar cubes and ink

Milligan Must Fall 2016 (cast sugar, 22x10x2cm)
Folly (2015)

Leaves and acrylic lacquer

The City sets sail 2016

Paper, tape and digital images supplied by the public
240x320 cm installed at All Hallows by the Tower, Byward St, London

Cell (2015)

PVC and nylon

Shed (2015)

Timber, lightbulb, sound recording

Raft (2015)

Ceramic, timber, paint

#Don't Let Them Drown (2015)

Canvas and paint

Heath ritual (2014)

Feathers, logs

Always greener (2014)

Soil and grass

Creekside (2012)

Gold leaf

Hard aber herzlich (2013)

Timber, tape and twine

eighteen... (2012)

Burnt timber

Heygate Pond (2012)

Glass, fish, leaves, water, kitchen sink

Your Move (Heygate) (2012)

Chairs and paint

Armour (2010)

Mixed media

Life sentence? (2011)

Barbed wire

Liminal (2009)

PVC

Id (2009)

Maps and thread

Sacrifice (2008)

Bread dough and pins

Dereliction (2007)

Sugar

Sacrifice (detail) (2008)

Bread dough and pins

Shelled (2007)

Latex

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